Come and Get It

Frances Farmer in a publicity still for Come and Get It (1936).  Howard Hawks said she was the most talented actress he ever worked with.

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Come and Get It

Edward Arnold shakes hands while Walter Brennan looks on in a scene from Come and Get It (1936).

Come and Get It

Frances Farmer in a publicity still for Come and Get It (1936).  She played a mother and in a flash forward, her  daughter, in the film.

Come and Get It

Dinner with the Glasgow family including Andrea Leeds, Maddy Christians and Joel McCrae in Come and Get It (1936), and an unnamed man standing by.

Come and Get It

Come and Get It (1936)

Come and Get It

Frances Farmer grabs a cabbage out of a box in a publicity still for Come and Get It (1936)

Come and Get It

Frances Farmer wears a hat with fake cherry tomatoes in a publicity still for Come and Get It (1936)

Come and Get It

Frances Farmer and Joel McCrae in a publicity still for Come and Get It (1936).  Joel was also in Howard Hawks’ previous collaboration with producer Samuel Goldwyn, Barbary Coast (1935).

Come and Get It

Frances Farmer in a publicity still for Come and Get It (1936) in an image not seen in the film.

Come and Get It

Edward Arnold and Frances Farmer in a scene from Come and Get It (1936)

The Road to Glory

The Road to Glory (1936) was Howard Hawks’ return to 20th Century Fox Pictures after directing eight silent films at the studio in the 20s.

The Road to Glory

Warner Baxter and Victor Killian in an original publicity still for The Road to Glory (1936).  Victor was also in Howard Hawks’ Only Angels Have Wings.

The Road to Glory

The Road to Glory (1936) was Howard Hawks’ return to the war genre, after his first sound film, The Dawn Patrol (1930)

The Road to Glory

Fredric March, Lionel Barrymore and Warner Baxter in a publicity still for The Road to Glory (1936).  All three actors were big stars at the time.

The Road to Glory

foreign poster for The Road to Glory (1936)