Jack Buetel as Billy the Kid and Jane Russell as Rio made their film debuts in The Outlaw (1943), directed by Howard Hughes after Howard Hawks left after a week or two to direct Sergeant York. There’s no telling what the finished product would have been like if Hawks completed the film. As it stands, there are only a couple of memorable scenes with Jane in an otherwise mediocre western.
All posts for the month April, 2018
The Outlaw
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-24/
The Outlaw
Screen newcomers Jane Russell and Jack Buetel get married in a publicity still for The Outlaw (1943).
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-23/
Paid to Love
screencap from Paid to Love (1927) indicative of how Howard Hawks’ silent films are in desperate need of restoration, but the situation may be hopeless as better prints may simply be lost.
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/paid-to-love-10/
The Outlaw
JaJane Russell in an autographed publicity still for The Outlaw (1943).
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-21/
The Outlaw
Fresh faces Jane Russell and Jack Buetel in a publicity still for The Outlaw (1943).
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-25/
Prizefighter and the Lady
The back of this publicity still reads
MAX BAER….the screen’s newest romantic lover, and his leading lady, Myrna Loy, as they appear in Max’s film debut, “The Prizefighter and the Lady,” now in production at Metro-Goldwyn-Mayer.
Howard Hawks developed the story for Clark Gable and Jean Harlow but MGM executives had other plans.
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/prizefighter-and-the-lady-2/
The Outlaw
Jane Russell in a provocative newspaper article promoting her film debut in The Outlaw (1943). It didn’t see a widespread release until 1946.
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-22/
The Outlaw
Jane Russell out of costume in an original publicity still for The Outlaw (1943)
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/the-outlaw-26/
Paid to Love
screencap from Paid to Love (1927), one of Howard Hawks’ seven silent films for Twentieth Century Fox studios.
Posted by hhawks on April 29, 2018
https://howardhawkshollywood.wordpress.com/2018/04/29/paid-to-love-9/
Only Angels Have Wings
Cary Grant and Jean Arthur in an original publicity still for Only Angels Have Wings (1939).
Posted by hhawks on April 28, 2018
https://howardhawkshollywood.wordpress.com/2018/04/28/only-angels-have-wings-36/
Only Angels Have Wings
Cary Grant and Jean Arthur in Only Angels Have Wings (1939). It was Cary’s first significant dramatic role, and his only drama of five films with Howard Hawks.
Posted by hhawks on April 28, 2018
https://howardhawkshollywood.wordpress.com/2018/04/28/only-angels-have-wings-35/
Only Angels Have Wings
Cary Grant and Jean Arthur in Only Angels Have Wings (1939) on the cover of a foreign magazine
Posted by hhawks on April 28, 2018
https://howardhawkshollywood.wordpress.com/2018/04/28/only-angels-have-wings-32/
Only Angels Have Wings
theater flyer for Only Angels Have Wings (1939)
Posted by hhawks on April 28, 2018
https://howardhawkshollywood.wordpress.com/2018/04/28/only-angels-have-wings-31/